![]() ![]() Let's get a bigger camera motion on here. So if you hover, we can scale the camera by being on that top left hand corner, but if you hover just off of that, I can actually change rotation on that key frame as well. A couple other things that you can do, you can actually also add a camera rotation. It's so smooth! That's what you're gonna be looking for, so that's what you're gonna want to use your ease in and ease out of your key frames. Look how beautifully smooth that is both beginning and ending. All right, so let's take a look at how that camera move looks. Notice it just stops, like someone hits the camera. Let's move this camera key frame over here. ![]() Notice how beautiful that ramps up, but it still stops instantly. What I'm probably gonna want to do is I'm gonna ease into the motion over about eight frames. Here's what we want to do, as long as I'm in this scene, and I have my camera icon selected, under Tool Properties, right under my Key Frames, you'll see Ease In and Ease Out. So, in from still to motion, out from motion to still. Ease out means easing it out of the motion. Ease in means easing the camera into a motion. So what we need to do there is do what's called an ease in and ease out. You never want your camera to jump into full speed if you've already seen no motion at all. That's great! However, if we jump into this shot and, I'm gonna move the camera so the camera doesn't start moving until part way in the shot, it jerks into the motion. For instance, on this shot right here, as we cut into it, the camera is already moving. If your shot already starts with the camera move, you want the camera to instantly be moving at full speed. ![]() So go ahead and open up Project 10_02, and let's take a look at it. Images often have a foreground, middle ground and background layer.- So now you've set your key frames for a camera move, but you want to refine that move. It helps to establish a sense of location, while also adding an element of depth to your images. Layering is the process of setting up subjects within different layers of a frame. The image on the left shows a long shot, with the image on the right showing a close-up. Too much of the same thing will quickly become dull and repetitive. Don’t upstage your characterĪdding in staging elements and color helps convey the mood you're after, but shouldn’t distract from the story. Look at your scenes without any detailed linework, and you'll quickly discover whether or not your action is understandable. Silhouetting a character can be a helpful way to see if your shots make sense. ![]() Morning is more optimistic, whereas late evening can suggest urgency or suspense. Setting a scene during a particular time of day will evoke a feeling in your audience. Here are a few things to consider: Choose a time of day What mood do you want your piece to have, and how can you communicate it? Framing, color, and video transition effects are all great ways to amplify emotion that might be missing from the script. Now that you've finalised your storyboard, it's the perfect time to consider subtler visual cues. Looking for storyboard inspiration? Check out our favorite storyboard examples. ![]()
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